LANY: on heartbreak, flowers and Asian food

23 Jun 2017 by Bryan Yeong

When a music act sells out their debut concert even before releasing their full-length album, you know you’ve got yourself a band worthy of attention. Enter LANY – an indie-pop trio with dashes of alt-rock and R&B influences hailing from Los Angeles and New York, hence their acronymic name. Ahead of their maiden gig here courtesy of Secret Sounds Asia, we caught up with lead singer Paul Klein.

Hi Paul! Where are you guys currently and what’re you up to?

Not much. I’m just chilling at the beach in Malibu.

Are you singing a little bit of Miley Cyrus while you’re there?

(Laughs) No I’m not. I was listening to Frank Ocean before this!

The album comes out June 30th, which is really soon. What have you guys been doing to prepare yourself for this moment?

We haven’t really prepared ourselves. We haven’t even really had time to sit down and think about what it’s gonna feel like when the album comes out. We’ve just been working so hard. The lead up to the album… there’s just a lot of stuff to plan. We’ve been busy being home, off tour for now. We’re trying to set up pop up shops in a few cities around the world; at places where we can meet people and celebrate the album with them. You only release a debut album one time in your life. I’m not quite sure how it’s gonna feel.

What’s one distinctive difference from the music on the upcoming album, as compared to the songs from your previous EPs?

There’s nothing too different –  I feel like that wouldn’t make much sense, for us to come out with our first album sounding completely different than what we’ve put out previously. I do think we’ve grown as songwriters, musicians and producers, and I think that these songs on the album are the best songs we’ve ever written. What you know of LANY – what it sounds and feels like – is exactly what the album is.

You guys were recently in Singapore. What’s one memorable takeaway you had from that trip? Any interesting experiences? 

That we can’t chew gum in Singapore – that’s crazy! We never really played [a show] in Singapore, we were just there mostly for meetings. But we had a few fans at the hotel lobby and that was really cool. When we got off the plane and got into a van, we heard ‘ILYSB’  on the radio and I thought it was a joke or something! It was really cool to hear our song on the radio immediately when we landed. We’re so excited to come over; it’s a real honour to be able to go all the way to Singapore and the rest of Asia and be able to play for fans.



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Is there anything you’re looking forward to trying or experiencing in particular on your return trip to Asia in August?

I personally love Asian food, or at least what I know of Asian food. I’m really excited to just kind of dive into the culture of Singapore, and we’ll be in Japan, Taiwan, Thailand… these are places that I’ve never been to. I’ve only kind of seen [them] in magazines and movies so I’m looking forward to all of it, really. 

Not sure if you guys have heard, but the show sold out in a week! How does that feel for you?

It feels really cool! I can’t tell you guys how excited we are. We don’t even know what our fans look like, you know? To just see the faces of people who listen to us and love us and support us – that’ll be a real special moment.

What can fans expect from your full-length debut concert?

Normally at LANY shows, everyone sings along to every word, so that’s really fun. The songs are also way bigger live – they’re louder and more energetic.

Is there a particular song you guys are most excited to perform live on tour?

We haven’t gone to rehearsals yet, so I can’t [quite have an] answer for that. But there’s a song called ‘Super Far’ that I think is gonna be really big, so that’s gonna be fun to play live I’m sure. I think ‘Flowers on the Floor’ and ‘Purple Teeth’ will be really fun [to play] as well.

The ‘Good Girls’ video is coming out real soon as well. What’s the story behind that song and the video?

‘Good Girls’ is about dealing with disappointment and unmet expectations. In that moment [writing it], I felt pretty let down by my relationship, and how it was going. And I was really self-aware – I knew that things weren’t going to be perfect but I really thought that it would be better than [how it was going]. It’s also a plea for that person you’re in love with to change their mind and to come back home to give it one more shot, even though they wronged you.

I don’t want to give away too much about the ‘Good Girls’ video. It’s mainly… a lot of it is performance, a lot of me walking around Hollywood singing to the camera. But there’s a twist at the end that I’m really excited for people to see. It’s coming out next week.

Your album artwork features a simple design of a rose. What special meaning does the rose have to the band?

I think from almost the very beginning of LANY, flowers and plants have always been a part of the aesthetic. For me personally, I’ve always [liked] taking photos in front of flowers, and ‘Paul in front of plants’ became a thing on Instagram. I mean, if you go back to our I Loved You EP, there’s flowers in the sink [on the cover art] and the Make Out EP has bougainvillea. People also started bringing roses to our shows and threw them all over the stage. It just became obvious that flowers and LANY go together. 

LANY has shared the stage with the likes of Halsey to John Mayer. Are there moments where you guys are still like “I can’t believe this is happening”? What’s the craziest thing about all this for you guys?

I guess [opening for] John Mayer would probably be “the one”.  Just knowing that this little band that I’m in, that works so hard to write all the best songs we possibly could, be recognised by my childhood hero – that’s a crazy moment. Those seven nights with John Mayer were the best seven nights of my life.

LANY performs a sold out show at the *SCAPE Ground Theatre on August 10th. Their self-titled debut album is available on June 30th. 

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Why Lorde's Melodrama Is The Best Album Of 2017 (So Far)

21 Jun 2017 by Bryan Yeong

Well-worth the four-year wait since her gloriously moody debut, Lorde’s sophomore success Melodrama continues to prove her mettle as one of today’s most important pop stars.

In 2013, 17-year-old Lorde confessed on ‘Team’ that she was “kind of over getting told to throw her hands up in the air” – an unabashed scoff at party emphases that heavily littered the charts. Had the song been in any way lacklustre, her profound dissonance to the mainstream might have easily backfired on the Kiwi teen. But ‘Team’, along with the #1 hit ‘Royals’, were pure pop gems, both instrumental for her emergence as a serious force in the industry, with the latter even scoring her two Grammy wins in 2014. On top of her musical dominance, her goth-influenced style, eccentric dance moves and enigmatic persona ironically made her the unintentional and alternative ‘cool kid’ – a running label she commented on throughout her debut album Pure Heroine.

Years later, Lorde has made her graceful, yet steady return to the pop landscape she once conquered, picking up where she left it off with the relentless ‘Green Light’. “She thinks you love the beach, you’re such a damn liar”, she snarls about an ex-lover on the album opener. It’s crystal clear that previous uncertainties that come with being a teenager are long gone, instead replaced with a reinforced self-assuredness expressed by a young woman on the brink of adulthood. Attribute the personal growth to the possible guidance through fame via her friendship with Taylor Swift, or the mastery production of Bleachers-frontman Jack Antonoff, but every vocal delivery and heartfelt lyric is undeniably, uniquely Lorde.

Other than the by-now-familiar key change in ‘Green Light’, there’s starkly delightful surprises to be found at every corner of Melodrama elsewhere. From the spoken word chorus of ‘The Louvre’ to the trumpets on ‘Sober’, Lorde details every single moment of the album with careful precision to make them work seamlessly. “I’ll be your quiet afternoon crush, be your violent overnight rush”, she fearlessly sings on the album’s chirpiest tune ‘Supercut’, over a piano hook and scattering, electronic beats that would make eve Swedish pop-maestro Robyn envious. 

Navigating through heartbreak, scorn and then self-discovery, it’s by the time the closing track rolls around that Melodrama comes full circle; where Lorde embraces acceptance on ‘Perfect Places’. “What the f— are perfect places, anyway?”, she rhetorically shrugs – questioning the very state of yearning she had put herself through in the album’s previous tracks, alongside playing observant to the similar tribulations youths face.

It’s rare to witness young artists not only match the success of their debut, but best it as well – and as far as this album goes, Lorde takes the sound of its predecessor and moulds it into near-perfection. Once guarded and awkward in public appearances, Melodrama is a heroic way for Lorde to re-introduce audiences to the evolved artistry she’s honing (and perfecting) today, which should easily make this a contender for Album Of The Year.

Melodrama is available for purchase or streaming now.

More related stories: 8 Summer Earworms To Put On RepeatThe Most Uplifting Moments From The One Love Manchester ConcertDua Lipa Dishes On Her Undying Love For Troye Sivan

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8 Summer Earworms To Put On Repeat

20 Jun 2017 by Bryan Yeong

Besides the weather obviously heating up these couple of months, summer marks the arrival of dessert-indulging, frequent hangs with the besties and new outdoor adventures. We’ve put together a list of tracks you ought to have on your Spotify playlist. Time to hit the ‘Play’ button!

Halsey – ‘Strangers’ (Feat. Lauren Jauregui)

Alt-pop megastar-in-the-making, Halsey delivers an ode to fleeting romance with a welcomed assistance courtesy of Fifth Harmony’s Lauren Jaurequi on ‘Strangers’, off the #1 album Hopeless Fountain Kingdom. Their distinctive, raspy tones mesh well together, trading verses over a pulsating beat throughout. It’s a modern day love song that breaks barriers, and one that looks set to catapult these two budding talents to new heights of fame.

The xx – ‘I Dare You’

For summer nights, put on The xx’s ‘I Dare You’ to capture the essence of youth succinctly in under four minutes. Romy and Oliver trade lines about both the excitement and heartbreak of falling in reckless, passionate love – perfect for looking back on an old relationship or fanning the flames of a new crush. Fingers crossed the band puts this on their setlist at their upcoming Indoor Stadium gig on 25 July!

Phoenix – ‘J-Boy’

You can always count on French band Phoenix to come through with summery indie anthems a la previous successes ‘1901’ and ‘Entertainment’, and their reign continues with Ti Amo‘s first single ‘J-Boy’. Featuring mesmerising synths and explosive guitars in true Phoenix fashion, the track bursts with hands-in-the-air jubilance that would light up the mood of any party.

Camila Cabello – ‘Crying in the Club’

Fifth Harmony’s ex-member traded in twerk-ready girl-group bops for the searing dance floor filler ‘Crying In The Club’ as her first single, and it’s certainly paid off. The self-empowering number might bear resemblances to Sia, but Camila takes charge with her honest delivery and personal message. And with lyrics like “Let the music warm your body like the heat of a thousand fires”, is there a song that is any more summer-appropriate?

Terror Jr – ‘Appreciation’

Not much is known about pop trio Terror Jr, even after they burst onto the scene after ‘3 Strikes’ was featured on Kylie Jenner’s lip gloss commercial, sparking rumours that she was the anonymous lead vocalist of the indie outfit – but that was quickly debunked. Famous family connections or not, there’s no denying the catchiness and clever lyrics of the group’s discography, which includes 2016’s Bop City and Bop City 2: TerroRising, released just last week. One clear standout is ‘Appreciation’, an electropop thumper about showing gratitude to a lover. The terror has clearly risen, and we couldn’t be more excited.

Lorde – ‘Sober’

“Will you sway with me? Go astray with me?”, Lorde asks on the eclectic ‘Sober’, and how could we say no? The seductive, captivating song is touted to be the second single lifted off her sophomore album Melodrama, and there’s no reason why it shouldn’t be. Produced by Bleachers frontman and frequent collaborator Jack Antonoff, he scatters hushed whispers and trumpet horns to make this another instant Lorde classic.

G-Dragon – ‘SUPER STAR’

You don’t need a USB port to listen to G-Dragons triumphant new album Kwon Ji Yong, and its highlight ‘SUPER STAR’. The rapper’s signature swag compliments the bouncy instrumental fervently, with him in search of somebody to love – something we doubt he’s lacking. 

The Killers – ‘The Man’

Every summer playlist needs a soaring rock song, and who else but The Killers to fill that void thoroughly. Our Las Vegas rock gods make their overdue comeback with ‘The Man”, where charming lead singer Brandon Flowers declares he’s the titular character fronted by groovy bass, disco funk and a backing choir – and we don’t disagree. The glam-rock track is a sign of greater things to come from the band in the form of their upcoming album Wonderful Wonderful, due out later this year.

More related stories: The Most Uplifting Moments From The One Love Manchester ConcertDua Lipa Dishes On Her Undying Love For Troye Sivan

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Ditching her former status as 2NE1’s maknae, Gong Minzy’s star is soaring to the top with her radio-friendly record, Minzy Work 01 Uno. s. Teenage speaks to the ‘Ninano’ songstress about her newfound solo career, how she overcomes hardships and what she’d choose: fame, fortune or talent. 

Gong Minzy’s exponential talent is undeniable – in the way she blazes onstage, her sheer passion for music and magnetic charisma. Which was why not one of us doubted Minzy’s ability to succeed as a soloist, even though the fandom was understandably distraught at her sudden departure from 2NE1 and the band’s subsequent disbandment. Releasing Minzy Work 01 Uno, her first EP 1 year after leaving 2NE1, this ‘maknae no more’ has since risen to the top (once again) with her explosive dance moves and head-bopping tunes composed by the ‘Ninano’ songstress herself. 

On her own for the first time, Minzy had a clear vision of what she wanted for this EP. “[I felt] that this album must have a clear story. I weighed in on the flow of the songs. Most of my fans think that I am only good at dancing, but I [wanted] to show that I can sing as well,” she mused. A huge fan of Missy Elliot, Beyoncé and Michael Jackson since her trainee days, Minzy set out on curating an album that consisted of both dance anthems and power ballads. “When I saw the choreography of ‘Ninano’ for the first time, I worried about whether I’d be able to sing it live because its choreography is very powerful – when I danced to this song the first 3 or 4 times, I was knocked down,” she shared, “But I practiced constantly and it kept getting better.” Impressively, ‘Ninano’ showcased Minzy’s vocals and moves to perfection without leaning into the overly sexualized performances that’ve come into trend in the K-pop scene. 


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“When I am working as a solo artist, I sometimes feel burdened, but at the same time, I feel thrilled.” Despite having been in the music industry for close to a decade, the 23-year-old found herself charting new territories, what with debuting as a solo artiste under new management. Luckily, Minzy found that she was able to provide more input. “I could see the big picture of the process,” she revealed, “[Back then] I usually focused on recording and dance, but this time round, I participated actively in the making of the album and shared more ideas.” In a flash of brilliance, Minzy reached out to Korean rapper Flowsik and former 2PM member Jay Park for collaborations on ‘Ninano’ and ‘Flashlight’ respectively. “Flowsik and Jay Park are very popular, and it was a great honour to work with them. An acquaintance introduced us and they accepted my proposal, which I really appreciate.” 

Solidifying her credentials as a songwriter, Minzy penned her 6-track EP, including empowering anthem ‘Superwoman’. Choosing this track as her favourite of the record, she recommends it as a much-needed morning energy boost. “When I feel unsatisfied about my situation or status, I usually try to find the solution.” Minzy revealed, “My motto is: ‘If you can’t avoid it, you might as well try and enjoy it’ and this makes me stronger.” And for all her young fans still seeking their own paths, Minzy shared, “It could be hard to take a step. But after you do so, all you’ll need to do is run [forward]. Please do not give up on what you want. Believe in yourself, that you have an infinite possibility to overcome all obstacles.”  This revelation makes sense – Minzy has had to make difficult decisions and she has come out of every crossroads gracefully, with her head held high – and that makes the true message behind ‘Superwoman’ tremendously meaningful. 

Unsurprisingly, when asked about how she would describe herself as an artiste, Minzy candidly shares, “I’m still not satisfied. I will try harder and harder!” But having achieved so much at 23, the future is undoubtably bright for Minzy. So what would this solo superstar choose when asked to pick between being a globally famous artiste, being the most talented musician in the world, or being the richest celebrity? Cheekily, Minzy chose talent, “[In this case], then the world would recognise me and [that would also] make me richer!” 

Listen to Minzy’s EP on Spotify now:


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BTW, Minzy’s our June issue cover girl, so pick up a copy (on news stands now) to indulge in more Minzy goodness! 


The Most Uplifting Moments From The One Love Manchester Concert

5 Jun 2017 by Johanna Teo

Returning to Manchester on Sunday just 2 weeks after the Manchester Arena bombings, Ariana Grande staged the One Love Manchester benefit concert alongside a star-studded lineup to raise funds for the victims of the terror attacks.  

The over three-hour long televised event followed in the wake of the London attacks, but that didn’t stop both the performers – including the likes of Coldplay, Katy Perry, Miley Cyrus, Black Eyed Peas and more – and the resilient 50,000-strong audience from turning out to pay tribute. Here are the most inspiring, uplifting and tearjerking moments from the concert, which ultimately raised more than $13 million for the We Love Manchester Emergency Fund. 

“Don’t go forward in anger. Love spreads.” 

Scooter Braun took the stage with a powerful message from Adam, a 15-year-old survivor of the attack. Despite still being in the hospital and having lost his best friend, Olivia, Adam told Scooter: “Make sure you tell them: Don’t go forward in anger. Love spreads.” Scooter added: ” I want to thank you once again for coming out tonight and answering that call that hatred will never win, that fear will never divide us because on this day, we all stood with Manchester.” 

‘Don’t Dream It’s Over” 

Back in 2015, Miley Cyrus invited Ariana to Happy Hippie Backyard Sessions, where they sang ‘Don’t Dream It’s Over’. After Miley Cyrus’ performance was confirmed, Twitter requests flooded through for the duo to perform that very same cover, and they delivered. The intimate yet powerful show of solidarity cemented what the night was about: spreading love, courage and joy through music. 

Musicians sending love

Many artistes who could not perform at the benefit sent their love and messages of support through a series of touching videos. Stevie Wonder and David Beckham were the first to appear in solo videos, while Sir Paul McCartney, Demi Lovato, Halsey, Camila Cabello, Kendall Jenner and more shared their words and pledged to “Stand With Manchester”. Like Stevie Wonder said: “We all know that love is truly the key, I don’t care what ethnicity you are, what religion you are – we all know that love really is the way. So anyone that tries to make anyone think that things of destruction have anything to do with God or Allah, they are a lie.” Powerful words indeed. 

‘Where Is The Love?’

One of the most apt performances of the night, Black Eyed Peas stepped up and performed global hit, ‘Where Is The Love’ with Ariana. Despite Will.i.Am receiving criticism about his blunders during the performance (he repeatedly referred to the Manchester crowd as London), we would like to say that his heart is in the right place. As Will.i.Am sings-shouts, “We will not be separated!”

‘My Everything’  

When the Parrs Wood High School choir took the stage and performed a beautiful rendition of Ariana’s ‘My Everything’, there wasn’t a dry eye left in the house. Their performance was made even more impactful as some of the choir members were present at Ariana’s Manchester Arena concert. Midway, Ariana came onstage and hand-in-hand with 12-year-old soloist Natasha-Rose Seth, they finished the song – that was when the waterworks truly started. 

Switching Sides (By Side)

Before performing ‘Side to Side’ – a number that might have seemed inappropriate under these circumstances, Ariana shared her experience meeting Olivia Campbell’s mum who not only told her not to cry, but that “Olivia would’ve wanted to hear the hits”. With that being said, Ari and her crew changed up the entire setlist only a day before the concert to reflect that fun and lighthearted energy that would truly honour her young fans. 

“I encourage you to choose love even when it’s difficult.”

Spreading the message of universal love further, Katy Perry started her performance with a mass bonding exercise. “Touch the person next to you, make human contact. Tell them ‘I love you’, look into their eyes and tell them – do it, everyone.” She added, “I encourage you to choose love even when it’s difficult. Let no one take it away from you”, before delving into an acoustic version of ‘Part of Me’, followed by the ever-empowering ‘Roar’. 

Dancing Policeman & Children

While an emotional Justin Bieber was performing and making the crowd chant ‘Love’ in unison, a policeman and a group of kids started dancing hand-in-hand. The latter understandably was a major highlight for everyone watching, with Twitter users talking about how this moment portrayed the true spirit of Manchester. 

‘Don’t Look Back In Anger’ 

Mancunians breaking out into a spontaneous rendition of Oasis’ ‘Don’t Look Back In Anger’ after a nationwide minute of silence for the Manchester terror attacks has made the classic an unintentional symbol of Manchester’s resilient spirit. Hearing the 50,000-strong audience sing along with Coldplay’s Chris Martin was unlike any other – the band followed up with ‘Fix You’ and man, was it a cathartic moment. 

Rivals Unite

As dusk fell, the stadium crackled with an electrically charged atmosphere that wouldn’t be out of place at a rock concert. Then, former Oasis frontman Liam Gallagher strode onstage and dove headfirst into his set. An even bigger surprise than his appearance (Liam initially wasn’t able to make it due to a prior gig) – his duet with Coldplay! Despite having a longstanding rivalry with the band, Liam and Chris put aside their musical differences and literally embraced onstage during ‘Live Forever’. 

‘One Last Time’ 

As many would know, Ari’s ‘One Last Time’ has taken on new meaning altogether in the wake of the attack. Gathering onstage with the rest of the artistes, Ariana delivered an emotional performance while the crowds sang and danced along. Bravely holding it together, Ari choked back tears as she reiterated her love for Manchester and her gratefulness to everyone for turning up. 

‘Somewhere Over The Rainbow’ 

Closing the One Love Manchester benefit with a tearful rendition of ‘Somewhere Over The Rainbow’, Ari soulfully belted out the The Wizard of Oz classic as the crowd swayed and cried along. 

Watch the full concert here: 

In the face of troubling and fearful times, we urge everyone to stand strong, and love with an open heart. It will be difficult not to lash out in anger, but moments like these serve to show that the world is a big and beautiful place; one that has no room for evil, nor for those who respond with hate. Love is the key and love will not be silenced – we stand together. 

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